A passive observer who isn’t nearly obsessed or angry enough with the manipulative women around her, Sofia doesn’t earn her final moments — and Hot Milk, already thoroughly curdled, doesn’t either.
Eva Victor’s bold filmmaking choices restore Agnes’ agency — and that’s what makes Sorry, Baby a more satisfying and resonant survivor film than any revenge-fantasy movie.
At first, the film’s political satire works — in large part due to Phoenix and Pascal’s committed performances — but it sours faster than a raw milk joke.